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	<title>Frame by Frame &#187; cherry</title>
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	<description>The blog of Judith Allen - freelance editor, NFTS Graduate.</description>
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		<title>Animation update</title>
		<link>http://www.jaa-editing.com/wordpress/2008/04/animation-update/</link>
		<comments>http://www.jaa-editing.com/wordpress/2008/04/animation-update/#comments</comments>
		<pubDate>Sat, 12 Apr 2008 23:13:03 +0000</pubDate>
		<dc:creator>Judith Allen</dc:creator>
				<category><![CDATA[NFTS]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[cherry]]></category>
		<category><![CDATA[FCP]]></category>
		<category><![CDATA[practical]]></category>

		<guid isPermaLink="false">http://www.jaa-editing.com/wordpress/?p=17</guid>
		<description><![CDATA[We have yet to team up for our graduation fiction films, got documentary finally sorted at the start of the week (hopefully I&#8217;ll be getting some rushes on Monday for that)&#8230; but animation&#8217;s been in the works for a while now, so I thought I&#8217;d write a bit about that.
Wednesday is our &#8216;final&#8217; board meeting, [...]]]></description>
			<content:encoded><![CDATA[<p>We have yet to team up for our graduation fiction films, got documentary finally sorted at the start of the week (hopefully I&#8217;ll be getting some rushes on Monday for that)&#8230; but animation&#8217;s been in the works for a while now, so I thought I&#8217;d write a bit about that.</p>
<p>Wednesday is our &#8216;final&#8217; board meeting, by which point the storyboard should be completely sorted. The editors have only actually had the last 5 days to be working full time with the animators &#8211; it&#8217;s been a moment here and there stolen from another project before now.  So essentially that&#8217;s 7 days to get the animatic sorted and sort out the angles, plot holes, ordering, trimming of redundancies&#8230;. theoretically all possible. Except every time you request a new angle or additional drawing to fill in either information in the current angle or a new one, the animator has to go and draw that, as well as scan it!</p>
<p>Once all of the frames from the original storyboard had been scanned and put in order, we basically started working in a system where I played around with timings and made a wish list of extra shots/ points to raise while Hye-Bin (my director) was working on some new frames. We meet up when she&#8217;s done with that. We quickly insert the frames in to where they were meant to be, I go through my new list with her, we discuss some of the plot points and/or pacing issues that are emerging from the present version, then I go and trim the frames we&#8217;d just inserted and look through it some more whilst she goes and draws the solutions we think of during our chat. And repeat.</p>
<p>It&#8217;s a process not without difficulties. The main point at the moment is making sure that an audience understands what&#8217;s going on &#8211; especially since there&#8217;s going to be very little intelligible dialogue even when the film&#8217;s been finished. For this film we should initally be aiming for an animatic completely without sound, any points which motivate action (e.g. a doorbell) should be drawn on to the frame at the appropriate point or added in FCP. Looking over the current film this weekend I&#8217;m considering suggesting the removal of a scene which I think isn&#8217;t adding much to the film &#8211; however nice it is and how much we&#8217;ve worked on it, it&#8217;s sometimes a decision you have to make. And the ending&#8217;s something that neither of us are yet completely satisfied with &#8211; but we&#8217;re sort of hoping for inspiration to strike!</p>
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