Frame by Frame » avid

Save the Avid dongle

Judith Allen — Sun, 08 Mar 2009 21:27:17 +0000

An Avid dongle USB key

http://www.savethedongle.com is a site hosting a petition to save Avid’s dongle-based authentication for the users who rely on being able to transfer their license from one machine to another in the course of their work.

They seek to give the user an option – to follow the software-based authentication proposed for MC 3.5 and not have to worry about losing their dongle and having to buy a brand new system if they lose it, and/ or keep their dongle for authentication.

Plus, you know, it’s called a dongle. We can’t let go of that.

See their website for more information and for the petition.

New uploads – showreel, two sketches

Judith Allen — Sun, 28 Dec 2008 20:21:49 +0000

Having just joined vimeo (username jaaed), I’m using the handy embedding feature to self-promote. Which of course is what blogs are for…. sort of.

So here’s my new showreel, updated from the previous to include my graduation films from the NFTS and some of the animations I’ve worked on at the school:

Editing Showreel Jan 2009 from Judith Allen on Vimeo.

… and here are two of my favourite sketches from my most recent editing project, ‘TV or Not TV’:

TV or not TV – ‘Corporate Woman’ from Judith Allen on Vimeo.

TV or not TV – ‘The Facts of Life’ from Judith Allen on Vimeo.

End of an era, and the freelance fear

Judith Allen — Sat, 27 Dec 2008 11:11:24 +0000

Barring the usual paperwork, signing-offs and graduation itself, my time at the NFTS is just about over. The cafetiere and coffee bean grinder have been taken home, the relevant exports have all been done – and copies made for me to be able to advise remotely on any unclear points. The animation is still going via Avid, as each shot is worked on seperately in the animator’s After Effects and then exported in HD whenever we need to see the entire film or a sequence of shots, but I now have that on my own MacBook Pro and we can FTP new material whilst it’s still being completed.

So now comes the fear. The freelance fear, of course. I’d like to think that by having a website, showreel of sorts, and profiles on the usual networking and jobseeking websites that I’m getting a good start on the background self-promotion, but as just about everyone says – it’s the contacts that count. I’m certainly building them up – in no small part thanks to the NFTS, but they mostly seem to be the type which could be more useful in a few years’ time once I’ve had a bit of experience. Agencies all want broadcast credits, and there’s always the danger of getting stuck in a genre which isn’t where I ultimately want to be.

The first step certainly seems to be the hardest right now. But by continuing to work on my online presence whilst keeping my eyes open and monitoring job-seeking and professional development websites, I’m keeping calm and not worrying too much….. yet.

Some screengrabs

Judith Allen — Wed, 20 Aug 2008 14:49:13 +0000

The documentary’s finally onto the post-editing stages (i.e. sound and colour). We ended up getting another editor who spoke Italian to do some work to finish it off, I think the final count was 10 or 11 weeks in the edit between everyone.

This is one of the later stages, complete with temporary subtitles. The main video (and associated audio) is mostly coloured by character or location, which helped to give a decent at-a-glance indication of how the overall structure was looking without having to go through scene by scene every time we moved something.

Doc edit in AXP

Meanwhile, the animation’s been moving… well, as quickly as these things do, I guess. Most of the significant line drawing’s almost complete (there are assistants to do intermediate steps, as well as colouring once a few frames have been done), and we’ve altered the timing of a few shots now where it seemed right in the animatic, but had to change slightly once motion was added. There’s more still to come, but it makes the most sense to just spend half an hour each day with the director and run through any queries and recent work – less frequently if there’s a lot of other stuff going on, but she’s the fastest WACOM user in the West! Since she’s working with stills for the filmed backgrounds, the best bet’s probably going to be to reimport the final film with the new timings, alter the HDCAM backgrounds to sync with the film, then re-export for the compositing stages.

A still from the NFTS short animation 'Cherry On The Cake'

I’ve also been learning a bit of DVD Studio Pro in my downtime, with a view to producing a proper showreel DVD with complete films within each type of thing that I’ve cut (documentary, animation, fiction, adverts, promos etc). I’d done some really basic stuff with it in the past, and I’m still going the long way around on some things I’m sure, but anything which allows this amount of control is worth it:

Preliminary thoughts on editing showreel layout in DVD Studio Pro

… yes, that IS a picture from Cherry in the background. It’s intentionally blurred, and makes an appearance in the film in a photo frame - the level of detail on that model was fantastic.

Time to clear some of the 50+ hours of documentary rushes from my hard drives to make way for the fiction. After that is a sketch show (post planned for October/November), then it’s just supervising post on the films I’ve done and out into the ‘real’ world. Easy.